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Occupational ballads tell stories related to particular professions, and are often composed by people in those professions. Cowboy ballads originated in the nineteenth century birli entertainment on long cattle drives. They might tell a sad story, birli "Sam Bass," here sung by E. A. Briggs in 1939, or they might be entertaining and humorous, bey is the ballad of the "Zebra Dun," sung by Frank Goodwyn in 1939. (A "zebra aşağılık" is a light brown horse with a black mane and tail and markings such as stripes on the legs, which suggested wildness to many cowboys.) Coal miners also sing ballads, sometimes used kakım entertainment on work breaks in the mines, or to recount historical mining events.

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" For example, a four-line poem in which the first line rhymes with the third, and the second line rhymes with the fourth has the rhyme scheme "ABAB."

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Throughout the song, a piano melody accompanies Lee Sun-hee until breaks into slower, more melancholic refrains where the soft twang of an acoustic guitar takes the place of the piano. Artists[edit]

Alongside the older traditional ballads they helped to spread, printing companies also composed new ballads, indir frequently employing poets for this purpose. In addition to providing entertainment, such new ballads became a means of spreading news, gossip, and political commentary of the day. Ballads composed for the cheap print market are seen by scholars bey a separate class of ballads from the earlier ballad tradition, and are usually referred to birli "broadside ballads." The subject matter of these ballads often concerns the lives of common people.

"Ballad" is also sometimes applied to strophic story-songs more generally, such as Don mp3 McLean's "American Pie". çağcıl pop ballads of this kind tend towards greater formal complexity than their folk antecedents. [McLean's song, for instance, is in a fairly intricate compound verse-chorus form where each verse is mp3 itself in a modified AABA form, incorporating irregular phrase-lengths and rhyme schemes. Its kinship with the traditional folk ballad is thus basically limited to its narrative character; yet the label is applied, though hamiş consistently.] Thus for example: while The Beatles' "The Ballad of John and Yoko" and their "Hey Jude" differ greatly from one another in form, lyrical content and musical character, both are commonly referred to birli ballads.

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stories rather than the stories and myths of a broader culture (and because lyrical ballads were written rather than sung), the lyrical ballad was considered to be a more literary form than the traditional ballad.

The common modern usage of "ballad" may have evolved from usage in 19th-century Britain. "Ballads" were generally sentimental, narrative, strophic songs published separately or bey part of an opera (descendants perhaps of broadside ballads, but with printed music, and usually newly composed; see also ballad opera). These were sometimes called "drawing-room ballads" owing to their popularity with the middle classes. By the Victorian era "ballad" had come to mean any sentimental popular song, especially so-called "royalty ballads", which publishers would pay popular singers to perform in Britain and the United States on "ballad concerts.

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